{"id":49669,"date":"2025-03-11T15:22:18","date_gmt":"2025-03-11T14:22:18","guid":{"rendered":"http:\/\/szs.giuseppe-colonna.com\/?p=49669"},"modified":"2025-03-12T15:13:47","modified_gmt":"2025-03-12T14:13:47","slug":"critica-3-cat-sala-polivalent-clase-magistral-para-la-vida-en-comunidad","status":"publish","type":"post","link":"https:\/\/szs.giuseppe-colonna.com\/ca\/critica-3-cat-sala-polivalent-clase-magistral-para-la-vida-en-comunidad\/","title":{"rendered":"\u2018Sala Polivalent\u2019: Classe magistral per a la vida en comunitat"},"content":{"rendered":"

Els centres c\u00edvics s\u00f3n un mar de possibilitats.<\/strong> Que volem aprendre a ballar claqu\u00e9 a la manera de Fred Astaire? Segur que hi ha una classe a la nostra mida. Que ens ha agafat per pintar paisatges en aquarel\u00b7la per combatre l\u2019estr\u00e8s i deixar de pensar en aquell company de feina que ens cau fatal? El centre c\u00edvic \u00e9s el nostre amic. Que ara ens creiem els m\u00e9s graciosos de la colla? Aqu\u00ed tenim un bonic taller d’stand-up<\/em> de 19 h a 20 h els dimarts i els dijous a un preu assequible.<\/p>\n

Sota aquesta premissa, la companyia teatral<\/strong>\u00a0La Cal\u00f2rica<\/strong>, responsable d\u2019\u00e8xits com Fairfly<\/em>, Els ocells<\/em>, Fe\u00edsima enfermedad y muy triste muerte de la Reina Isabel I<\/em>\u00a0o el recent Le congr\u00e8s ne marche pas<\/em>, ha creat la seva primera s\u00e8rie de televisi\u00f3, Sala Polivalent<\/em><\/strong>, disponible \u00edntegrament a la plataforma 3Cat<\/strong>. Una antologia de sis cap\u00edtols d\u2019uns vint minuts cadascun en qu\u00e8 a cada entrega es planteja un relat independent en un \u00fanic escenari: la sala principal i multidisciplin\u00e0ria d\u2019un d\u2019aquests centres c\u00edvics.<\/p>\n

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Els cinc int\u00e8rprets de la companyia es posen en la pell d\u2019una trentena de personatges en una com\u00e8dia excel\u00b7lent \u2013probablement, la millor s\u00e8rie de 3Cat en molts anys\u2013 sobre les nostres relacions amb els altres.<\/strong><\/div>\n<\/blockquote>\n

Dirigida i creada per Israel Sol\u00e0<\/strong>, director de les obres de la companyia, i el dramaturg Joan Yago<\/strong>, que ja havia experimentat amb la ficci\u00f3 televisiva a Mai neva a Ciutat<\/em>, d\u2019IB3, la s\u00e8rie s\u2019allunya conscientment del llenguatge esc\u00e8nic per\u00f2 sense renunciar a una teatralitat inherent a aquest tipus de format. Amb aix\u00f2 aconsegueixen, d\u2019una banda, bombardejar i modelar al seu gust els codis habituals de les sitcoms cl\u00e0ssiques, que sempre han partit del teatre a trav\u00e9s d\u2019un parell o tres d\u2019escenaris principals; i, de l\u2019altra, jugar amb aquells elements m\u00e9s propis de la dramat\u00fargia<\/strong> (actors interpretant diferents personatges, o un mecanisme que no sempre ofereix a l\u2019espectador all\u00f2 que veu literalment) que no solen ser tan freq\u00fcents en la ficci\u00f3 audiovisual.<\/p>\n

Aix\u00ed, Sala Polivalent<\/em> proposa un microcosmos en qu\u00e8 els cinc int\u00e8rprets de la companyia (Xavi Franc\u00e8s, Aitor Galisteo-Rocher, Marc Rius, Esther L\u00f3pez i J\u00falia Truyol<\/strong>), juntament amb altres actrius i actors convidats, es posen en la pell d\u2019una trentena de personatges en una com\u00e8dia excel\u00b7lent \u2013probablement, la millor s\u00e8rie de 3Cat en molts anys\u2013 sobre les nostres relacions amb els altres.<\/p>\n

\"Sala

La Cal\u00f2rica fa el salt a la ficci\u00f3 televisiva amb ‘Sala Polivalent’.<\/p><\/div>\n

Al magn\u00edfic c\u00f2mic\u00a0Taller d’interpretaci\u00f3<\/i><\/strong>, de l’estatunidenc Nick Drnaso<\/strong>, hi ha un instant en qu\u00e8 el professor d’aquesta singular classe que centra tot el relat pregunta als seus alumnes si s’hi han apuntat perqu\u00e8 es consideren inadaptats socials. I alguna cosa d\u2019aix\u00f2 hi ha tamb\u00e9 a Sala Polivalent<\/em>, en qu\u00e8 els seus personatges busquen el vincle amb l\u2019altre, o tot el contrari, volen fugir de la societat per, en realitat, adonar-se que no poden estar sols, o b\u00e9 trobar en aquell espai neutre all\u00f2 que no tenen a l\u2019exterior.<\/p>\n

Aix\u00ed, a la s\u00e8rie ens trobem amb una dona que s\u2019apunta a un curs de superviv\u00e8ncia<\/strong> que acaba en tota una exhibici\u00f3 gaireb\u00e9 gore perqu\u00e8 pret\u00e9n fugir a la muntanya per cuidar del seu futur fill lluny del m\u00f3n urb\u00e0, o amb un parell de nost\u00e0lgics que munten un esdeveniment al voltant d\u2019un programa televisiu de la seva inf\u00e0ncia per compartir aquells \u201crecords feli\u00e7os\u201d del passat, o amb una parella que busca inconscientment en un taller de cer\u00e0mica<\/strong> una manera de seguir units i mantenir viva una relaci\u00f3 a la deriva.<\/p>\n

\n
Un dels molts punts forts de la s\u00e8rie \u00e9s la ruptura total d\u2019expectatives.<\/strong><\/div>\n<\/blockquote>\n

La Cal\u00f2rica s\u2019acosta a aquestes situacions des d\u2019una comicitat que de vegades s\u2019aplica a un discurs de tipus social<\/strong> (aquesta classe de voguing<\/em> en qu\u00e8 es desferma una explosi\u00f3 d\u2019homof\u00f2bia) o que en altres moments opta per un humor m\u00e9s absurd i fins i tot inc\u00f2mode (aquesta ludoteca per a nens i fam\u00edlies en qu\u00e8 un dels actors interpreta literalment un nad\u00f3 i en qu\u00e8 es satiritzen les noves formes de crian\u00e7a amb un relat amb final antol\u00f2gic i inesperat).<\/p>\n

I \u00e9s que un dels molts punts forts de la s\u00e8rie \u00e9s el que t\u00e9 a veure amb la ruptura total d\u2019expectatives: quan un relat sembla encaminat cap a la moralina t\u00f2pica i el discurs f\u00e0cil, fa un gir i sorpr\u00e8n amb un canvi de to que desmunta tot el que hav\u00edem vist abans. <\/strong>Aix\u00ed, un “no volem estar en un grup de Whatsapp amb tu” pot esdevenir un estr\u00e8pit de viol\u00e8ncia f\u00edsica, i una reflexi\u00f3 erudita sobre la contracultura velada en certes ficcions televisives del passat pot portar a un sarcasme desinhibit<\/strong> cap a aquestes proclames r\u00e0ncies sobre l'”ara tot \u00e9s woke” i “els creadors ja no tenen la llibertat d’abans per culpa del feminisme i la inclusi\u00f3 for\u00e7ada”.<\/p>\n

\"Sala

En \u2018Sala Polivalent\u2019 els cinc int\u00e8rprets de la companyia es posen en la pell de diferents personatges.<\/p><\/div>\n

En aquest sentit, hi ha a Sala Polivalent un bon maneig dels tempos de la ficci\u00f3 seriada a trav\u00e9s d’un tipus de com\u00e8dia que sap anar a per totes<\/strong> i que no dubta a alterar aquest to si \u00e9s necessari. En el millor episodi de la s\u00e8rie, el quart (Iniciaci\u00f3 a la cer\u00e0mica), l’excusa una mica gastada del pla seq\u00fc\u00e8ncia serveix per teixir la cr\u00f2nica de la desintegraci\u00f3 d’una parella de manera hilarant i al mateix temps feridora, cap a una resoluci\u00f3 conseq\u00fcent i en realitat optimista.<\/p>\n

\n
\n
\n
\n
El final posa de nou en relleu els grans temes de \u2018Sala Polivalent\u2019: l’alteritat i la vida en comunitat<\/strong><\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/blockquote>\n

\u00c9s un cap\u00edtol on hi ha molts dels di\u00e0legs m\u00e9s divertits de la temporada<\/strong> (aquest monitor d’esplai que justifica el seu conformisme vital i la seva suposada ambici\u00f3 laboral dient que una vegada va organitzar una cicle de cinema a l’aire lliure), per\u00f2 que \u00e9s un bon exemple d’aquest joc amb un humor que tamb\u00e9 deixa un rastre amarg: en aquest joc\u00f3s debat grupal es parla, per exemple, de la influ\u00e8ncia de la precarietat laboral en les nostres relacions personals<\/strong>, de la repressi\u00f3 del veritable desig o de la frustraci\u00f3 de seguir el suposat cam\u00ed marcat sense rebre cap recompensa a canvi.<\/p>\n

\"Sala

‘Sala Polivalent’ est\u00e0 disponible \u00edntegrament a 3Cat<\/a>.<\/p><\/div>\n

Un altre bon exemple de la per\u00edcia narrativa de la s\u00e8rie est\u00e0 en el darrer cap\u00edtol, Nit d\u2019estrena<\/em><\/strong>, en qu\u00e8 conflueixen molts dels personatges vistos en cap\u00edtols anteriors amb l\u2019excusa de l\u2019assist\u00e8ncia a una hilarant versi\u00f3 de teatre musical de la pel\u00b7l\u00edcula Jurassic Park<\/em>.<\/p>\n

Un final magn\u00edfic<\/strong> que, d\u2019una banda, serveix com a culminaci\u00f3 d\u2019una s\u00e8rie de relats que, en realitat, mai no havien estat una simple successi\u00f3 de cap\u00edtols curts; i, de l\u2019altra, fa b\u00e9 a donar protagonisme a dues actrius (excel\u00b7lents Roser Batalla i Francesca Pi\u00f1\u00f3n<\/strong>) fora de l\u2019\u00f2rbita de la companyia, a trav\u00e9s d\u2019una hist\u00f2ria sobre la gesti\u00f3 del dol que posa de nou en relleu els grans temes de Sala Polivalent<\/em>: l\u2019alteritat i la vida en comunitat.<\/p>\n

I \u00e9s que, com diu la protagonista del primer relat, \u201cla gent \u00e9s insuportable, per\u00f2 al final \u00e9s el que tenim\u201d.<\/strong> Llarga vida a La Cal\u00f2rica (tamb\u00e9 a la tele)!<\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Els centres c\u00edvics s\u00f3n un mar de possibilitats. Que volem aprendre a ballar claqu\u00e9 a la manera de Fred Astaire? Segur que hi ha una classe a la nostra mida. Que ens ha agafat per pintar paisatges en aquarel\u00b7la per combatre l\u2019estr\u00e8s i deixar de pensar en aquell company de feina que ens cau fatal? […]<\/p>\n","protected":false},"author":198,"featured_media":49616,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"footnotes":""},"categories":[4817],"tags":[],"plataformas":[5199],"coauthors":[5441],"class_list":["post-49669","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized-ca","plataformas-3cat","adicciones-producto-interior"],"acf":[],"yoast_head":"\n\u2018Sala Polivalent\u2019: Classe magistral per a la vida en comunitat<\/title>\n<meta name=\"description\" content=\"Els centres c\u00edvics s\u00f3n un mar de possibilitats. Que volem aprendre a ballar claqu\u00e9 a la manera de Fred Astaire? 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